Thursday, September 2, 2010

The Painted Kiss by Elizabeth Hickey

(In which the unsaid are all that matters.)

***

Hickey’s debut novel reimagines the relationship of Emilie Flöge with the Viennese artist Gustav Klimt. Since my acquaintance with Klimt’s life and works is embodied by (only) the knowledge of this painting The Kiss (which fortunately was the focus of this novel) I researched a little about Klimt and decided that the novel will be a little heavy to the heart.

It took me a long time to finish the book, the initial reason for which was work and the secondary, the depression. For a woman to read something about a woman and a martyr for a man who doesn’t seem to know what he wants is such a huge source of disappointment and melancholia.

To Emilie, Gustav was a teacher, a friend, a brother, a lover and a man she loves deeply – of that I am sure. But whether Emilie was more than a student, a friend, a sister and a lover to Gustav remains a historical enigma. Art lovers will know how their affair ends with Gustav’s death and how another blow of confusion mixed with regret shook Emilie after knowing that hers was the name Gustav uttered in his last breath.

Unlike any of Gustav’s women, Emilie didn’t demand (at least not in the book). She took what he gave her. She forgave without an explanation from him. She loved him when he’s present and missed him when he’s gone. She nursed him in his sickness and waited for his return. She knew his mistresses but didn’t fret in public. Basically she knew what to do when she’s with Gustav. She knows better than to plead or beg for love or marriage. So she never even asked nor confessed.

If there’s something I liked about Gustav, it’s his reticence. But unfortunately, it is also one of the reasons why I hate him (aside from him being a chronic womanizer). He didn’t write memoirs or even keep a diary. He believed that people will know him when they look at his paintings yet in an episode, he altered a painting to obscure what was not supposed to be known. How then, can an artwork be reliable? His reticence usually solved his problems and got him out of disputes with a woman. But this is also one big reason why he’s misunderstood.

And yet when he spoke, it seemed like it was all too late for assumptions and explanations. And Emilie must have regretted that she never asked.




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Thursday, August 26, 2010

Drawing 101: The Painted Kiss by Elizabeth Hickey


(In which I try to give you online drawing lessons courtesy of a novel.)

***

So I haven’t written for weeks. And I thought I dedicated myself in posting a new entry per week. As if these were not enough, I haven’t finished reading Hickey yet. And to compensate for the display of abandoning myself to procrastination, I am writing an online lecture on what to expect and do on the first day of a painting/drawing lesson. And please pardon me for the sporadic interruptions brought about by my stream of consciousness.

“Here’s what we need”, he said brightly, holding up a piece of charcoal he dug from the bottom of the box.

“I brought pencils,” I said, showing him the brand-new tin case.

“It’s too early for pencils,” he said. “Charcoal first, then pencils.”
Looking back to all those years I’ve learned how to draw, I never remembered using charcoal. It seems like it has become a specially separated lesson on drawing and not a part of a series of medium. My other classmates who, back then, studied portraiture, used charcoals after we all learned how to shade with our Hs, HBs and Bs. Because the main sequence is that it should be pencils first before colors.

“Are you ready?” said Klimt.

“But where’s the easel?” I asked in surprise.

“Today, we’ll sit at the table,” said Klimt. He swept the red cloth aside. Mrs. Klimt took it up, folded it and put it on her lap. Then he taped a sheet of paper to the table and pulled a brick out of the toolbox. I tried to guess what the brick might be for. To keep the paper from blowing away? To sharpen the chalk? He placed the brick in front of me stood with his arms folded. I waited.

“Well,” he said. He looked at me expectantly. . .

“Well what?

“Draw”

“I don’t understand,” I said. “What am I supposed to draw?”

He nodded toward the brick.
The first thing I have drawn upon entering an art school was . . . my left hand – which I think is more interesting than a brick. Not that I am questioning the author’s or Klimt’s idea of a first subject. I just thought that trying to draw your own hand is an exercise that connects you to yourself. It’s more challenging even, to force an artist to look deeper and make sure he’s going to see his own hand on the paper after thirty minutes.

“Draw the brick?” I said incredulously.

“That’s right,” he said. “Draw the brick.”

“But that’s just . . . a brick.” I knew I sounded like an idiot.

“And what is a brick? He said. He sounded like he was teaching a very young child. Was it a joke? But he was waiting.

“I don’t know, clay that’s baked in an oven . . .”

“Stoneware is baked in an oven, too, but you wouldn’t confuse a pitcher with this brick, now, would you?

This wasn’t how a drawing lesson was supposed to go. I should have been sketching a bowl of fruit, or some bottles, like we used to do in school with out art teaches. I didn’t know how to respond. “No, sir,” I said.

He laughed. “I know you think I’m insane,” he said, ”but this was my very first lesson in art school when I was eleven, and it will be yours. Try to give me a better definition. It won’t hurt.”

I took a deep breath. “A brick is a rectangular piece of clay that is fired in an oven and used as a building material.”

“Excellent. Now forget all that we’ve said and draw what you see.”
Somehow this approach amazed me. Giving a definition of the subject and forgetting it abruptly means to remove all subjectivity or objectivity influenced by its denotation means having to look at an object without bias. If that was my first lesson, how would I define my hands?

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Monday, August 16, 2010

The Girl With a Pink Dream

(In which there’s another cool kid in the tradition of Sandy.)

***

Being given another kid student is enough to threaten me after I witnessed the momentary Wonderful Academy invasion of repulsive and obnoxious male fifteen-year-olds acting like they’re eight. I swear I almost told the manager “No, not another kid!” But fate doesn’t seem to be a monster lately for I was given Jenny, a nine-year-old girl. Sorry boys, girls are generally easier to handle.

The first thing I noticed about this girl (just like about every other female students I had in my class) is her notebook. I have always found the covers of Korean notebooks cute. But more often than not, I need to disregard the cheesy/incoherent lines that usually don’t have anything to do with the cover image.

We started having classes last Friday and two days after, she gave me a gift.
This notebook.

How did she know I am terribly in need of a new notebook? In fact, I have already been writing on margins! Oh! Kudos to her guardian angel!
I have just established my stance on the messages but I gave this one a go. The sentences attempt to be nostalgic but still with the signature incoherence, albeit subtle.

"You are my sweet song and you are a honey melody, the girl who has many pink dreams. I have many dreams and hopes. I feel happiness."
Approximately thirty minutes after thanking her, we talked about the contests she joined, then her dreams.

“Teacher, my dream is to become a pediatrician!” she announced.

“Oh really? That’s nice!” I exclaimed. I’m used to hear children say they want to be a doctor so they could help sick people or help their parents. But I still asked her. “Why?”

She looked at the ceiling, ruminating. Her facial expression embodying her struggle for the perfect words. Then she began.

“I saw the video of Haiti. The . . . the . . .”

“Earthquake?”

“Yes. The earthquake.” she agreed. My heart already melted.

“I saw the hurt children and my mom cried. And I cried, too. So I want to be a pediatrician. There are other kids. And other counties. So I asked my mom, ‘How can I be a doctor?’ and she said ‘Medical school is difficult. If you really want to be a doctor, you have to study hard from now on.’ So that’s what I’ll do. I will study English hard, hard, hard. Then study other things. Then go Harvard!”

I was breathless. I just looked at her typical East Asian face, the several scars and mosquito bites on her arms and the way she messes her bangs when she talks or coolly explains when I noticed her ear skin tag. I wonder how an innocent child could think of dreaming and striving with the inspiration of helping people. Such deep and mature thinking! Then I realized it’s only with a child’s innocence that we see with our heart and think genuinely positive.

“You’re an amazing kid,” I told her. She smiles shyly.